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Review
“Expertly crafted and generously performed spoken word”: The Way I See It @ Everyman Theatre
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Review
Where art and neuroscience intersect: Beyond the Brain @ THECUBE
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Review
Well Lit: ‘Elise’, Still Unknown
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Review
The Elephant Man: a tale of exclusion retold for the modern era
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Review
A Monster Calls: a theatre adaptation that creates a beast of its own
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Review
Quartier Perdu: witty, genuinely unsettling and unashamedly literary
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Review
The accomplished woman goes to wine school
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Review
Happy Days: absurd, surreal and unexpected
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Review
Ladybird: a story of growing up, at its most candid
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Review
Last chance to see (and hear) Euphonia at Liverpool’s Bluecoat
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Review
Funny Cow: confronting the idea that women aren’t funny
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Review
Sixteen Records’ first release: Volume One
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Review
Works Ahead: expect something weird, personal and entirely half-done
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Review
Ty Segall and The Freedom Band enthrall at Gorilla
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Review
Unknown Mortal Orchestra: a refined live performance at Albert Hall
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Review
Forest Sounds: A Party After the End of the World
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Review
The transgression of man in controversial South African film The Wound
