-
Review
Scottish Opera’s Anthropocene: An Impeccably Detailed Display of Haunting Images
-
Review
A lesson in body: Colette Salder’s ‘Learning from the Future’
-
Review
‘Outlaw King’: A muddy, bloody retelling of the story of Robert the Bruce
-
Review
Sex in Lois Hollowell’s paintings: Fleshy and bulbous, ethereal yet human
-
Review
Where art and neuroscience intersect: Beyond the Brain @ THECUBE
- The State of the Arts is non-profit media company covering culture in Leeds, Bradford and beyond. More about us >>
-
Comment
London’s Millennium Bridge: an icon at 18
-
Comment
A portrait of the artist: Theodore Clarke
-
Review
Jack White’s surprise party: guitar legend transcends reality
-
Review
POST2018: reconsidering the environment through fashion
-
Preview
AWOMENfest: the feminist festival celebrating radical softness
-
Review
“Lurking in its fabric is something unnervingly awry”: The Weir @ Richmond Theatre
-
Review
‘The pictorial chronicler of the global economy’: Andreas Gursky @ The Hayward Gallery
-
Review
The V&A’s Balenciaga retrospective shows his radical and enduring legacy
-
Review
The Vagina Dialogues: 2 Fast, 2 Feminist
-
Review
Basquiat: Boom for Real @ The Barbican
-
Comment
The Accomplished Woman: A first-timer’s foray into stand-up comedy
-
Review
Saint George And The Dragon @ the National Theatre