Few exhibitions manage to capture the intricate interplay between social activism and artistic expression as profoundly as HOW IF WHEN. This immersive exhibition, co-produced by Seif Eddine Jlassi and Mousa AlNana absolutely reflected the energetic and reflective ethos of Glasgow International (Scotland’s biennial festival of contemporary art) this year. Displayed at the CCA Glasgow, it was not merely an exhibition but a powerful narrative that bridges the gap between art and its ability to effect social change.
The HOW IF WHEN exhibition holds profound significance in the current UK context, particularly with the advent of a new government and the aspiration so many of us hold for a more positive discourse regarding refugees. As the country grapples with a history of anti-migrant rhetoric that has fed far-right sentiments and heightened tensions, this artwork serves as a vital counter-narrative. By showcasing the experiences and artworks of refugee children through compelling visual and interactive mediums, the exhibition fosters empathy and understanding. It is a timely reminder of the power of art to bridge divides, challenge prejudices, and promote a more inclusive and compassionate society, aligning with the broader hope so many of us hold for a shift away from far-right rhetoric towards a more humane and positive dialogue on immigration.
Seif Eddine Jlassi is a distinguished cultural activist, artistic producer, artist, and performer with over 13 years of experience, and this exhibition as the CCA (Centre for Contemporary Arts) captured so much of what makes his practice so important. His commitment to cultural advocacy is evident through his founding of ‘Fanni Raghman Anni’ in 2011, a cultural organization dedicated to promoting access to culture in disadvantaged areas and advocating for social change through artistic expression. Mousa AlNana, co-producer of the exhibition, complements Jlassi’s vision with his own unique artistic insights. Together, they have created an exhibition that not only showcases artistic talent but also challenges and engages the audience in critical social discourse.
It is an exhibition that transcended traditional boundaries, creating an immersive environment that invited visitors to engage deeply with the art and its underlying messages. Entering the exhibition space, which was crafted to mirror the feeling of a refugee camp the artists had previously worked in, visitors are invited to explore, touch, and even create their own objects and artworks to contribute to the space. The opening night was a testament to the exhibition’s impact, drawing a diverse crowd eager to experience the fusion of visual art and activism. The exhibition features a range of multimedia installations, each meticulously designed to provoke thought and inspire action. From interactive installations to thought-provoking performances, HOW IF WHEN was a sensory journey that leaves a lasting impression.
The white walls of the CCA were covered in boxes, fabrics draped and segmented the space, and upon entering the space you felt both an excitement at the uniqueness and novelty of being invited into such an unusual space, mimicking the refugee camps that inspired and informed the work, and an awful realisation that this novelty is in fact a lived reality for so many people across the world. At the heart it is a profound commitment to social change. This is not surprising, given Jlassi’s extensive background in cultural activism. Since its inception, ‘Fanni Raghman Anni’ has been at the forefront of advocating for cultural accessibility and social justice.
The exhibition built upon Jlassi’s previous work with the New Syria project, a poignant series of drawings created by children living in the Marj refugee camp in Beqaa, Lebanon. These drawings envision a hopeful future for Syria, showcasing the resilience and creativity of young minds amidst adversity. They explore the nostalgic understanding of home so many of the children held, whilst also looking towards a hopeful future. The artworks underscored the power of visual art in amplifying the voices and experiences of those so often talked about, and very rarely heard from.
HOW IF WHEN was more than an art exhibition; it was a powerful call to action. It challenges visitors to rethink their perceptions of art and its role in society. Through a compelling blend of visual artistry and social commentary, Jlassi and AlNana have created an exhibition that not only captivates audiences visually but also ignites a passion for change. As you walk through, you are not just a spectator but a participant in a larger conversation about art, activism, and the potential for a better future. It is a beacon of hope and inspiration, illuminating the path towards a more inclusive and culturally enriched society. It is a testament to the enduring power of art to transcend boundaries and create meaningful change.
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HOW IF WHEN, was displayed at CCA Glasgow until the 22 June 2024 as part of Glasgow International. However, if you would like to know more, please follow this link here and be sure to keep up to date with what Seif Eddine Jlassi and Mousa AlNana are up to.
Filed under: Art
Tagged with: activism, activism art, activist, art, artists, CCA, community, exhibition, Glasgow, hope, immersive, immigration, installation, Lebanon, multidisciplinary, multimedia, refugee, refugee camp, Syria
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