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Review
A History of Place: Liverpool’s Blind School
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Review
“Lurking in its fabric is something unnervingly awry”: The Weir @ Richmond Theatre
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Review
Roosevelt Collier: wailing lap steel takes centre stage on ‘Exit 16’
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Review
Sonia Boyce’s Object of Obsession @ Manchester Art Gallery
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Review
Lee “Scratch” Perry: Godfather of dub shows no signs of slowing
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Review
The Nasty Women of Merseyside: feminist anti-Trump art movement comes to Liverpool
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Review
April De Angelis’ Frankenstein: “This adaptation was intended to frighten”
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Comment
Pete Best and me
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Review
Macbeth @ The Tobacco Factory Theatres
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Interview
A Q&A with poet Polly Atkin for WildLines @ The Leeds Library
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Review
‘The pictorial chronicler of the global economy’: Andreas Gursky @ The Hayward Gallery
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Preview
Going Through The Emotions: the exhibition challenging the stigmas of mental health
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Review
Empowered femininity and glorious absurdity: ‘Queen C*nt – Sacred or Profane?’
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Review
Nearly defiant: Warmduscher @ The Eagle Inn
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Review
The Shape of Water: Guillermo del Toro’s haunting, romantic & genre-defying imaginative fiction
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Review
“Manchester… Enough said really!”: Baxter Dury @ Gorilla
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Review
Keswick Film Festival takes over the town
