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Review
Louis Theroux’s My Scientology Movie
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Comment
Madness, brilliance, and the trope of the ‘tortured artist’
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Review
Steve Forbert’s Flying At Night
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Interview
Spit & Polish: We talk to Oliver Gamblin, producer of London’s new spoken word night
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Review
So, This is What Happened…: Stories of the everyday
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An Alternative London tour
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Review
AFROPUNK London @ Alexandra Palace, 24/9/16
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Review
Abstract Expressionism @ The Royal Academy: Confused? You will be
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Review
Father Comes Home from the Wars @ The Royal Court
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Review
Matt Ross’s Captain Fantastic
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Review
Lynette Yiadom-Boakye’s Sorrow for a Cipher @ Corvi-Mora, London
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Comment
It might be too late for Passing Clouds, but other venues can still be saved, writes Helen Cocks
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Review
Home Chat @ London’s Finborough Theatre
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Review
Amy Shindler’s Burning Bridges @ Theatre 503, Battersea
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Review
Harold Pinter’s No Man’s Land at London’s Wyndham Theatre
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Comment
When Fabric needed an advocate, Labour were missing in action, writes Theo Freedman
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Review
Much Ado About Nothing @ Selfridge’s The reFASHIONed Theatre