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Review
Pilbeam’s Noise Night: Valentine’s Special @ Oporto
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Review
Family drama in Winter Solstice: lamentation and laughter, resentment and reconciliation
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Comment
A way into: Horrorcore, Gangster Rap’s ugly cousin
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Review
Eric Clapton documentary Life in 12 Bars: A man lain bare
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Interview
Masculinity, mental health and theatre: In conversation with Red Ladder Theatre Company
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Review
Steve McQueen’s Ashes (2002-2015) @The Whitworth
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Review
Ought: ‘Room Inside the World’
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Comment
Chinese New Year in Manchester: How old is China Town in dog years?
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Review
Keisha Thompson’s Man on the Moon: A considered and crafted love letter
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Review
Mogwai are unrelenting and all-consuming as they grace Manchester’s Albert Hall
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Review
Darkest Hour may be premium Oscar bait, but don’t hold that against it
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Review
Fiction meets biography in Reinhard Kleist’s graphic novel about Nick Cave
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Comment
A way into: Opera
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Review
Mental: The one-man production showing that no one should be defined by a disorder
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Review
Banthology: Short stories from the nations Trump wants silenced
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Comment
Consumerism, slavery and British-Indian relations: The Singh Twins @ The Walker
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Review
Molly’s Game: Solid acting let down by weak scriptwriting in poker princess biopic
