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Review
Overload: Broken Symmetries @ FACT
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Review
‘Spider-man: Into the Spider-Verse’: Is Sony seizing innovation?
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Review
‘The Old Man and the Gun’: A film that embraces and celebrates the passing of time
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Review
Last chance to see: Agnès Varda’s ‘Ulysse’ @ FACT Liverpool
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Review
Hereditary: Horror that will rock you to your very core
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Review
Christopher Robin: ‘A tale to teach the importance of nothing’
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Interview
Frederik Sølberg on following a Belgian town facing demolition in his documentary Doel
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Review
Ladybird: a story of growing up, at its most candid
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Review
Funny Cow: confronting the idea that women aren’t funny
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Comment
Celebrating Ingmar Bergman @ The Watershed
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Comment
Surreal and anxiety-inducing: Ruben Östlund’s The Square
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Review
Ready Player One: futuristic Willy Wonka falls flat
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Review
Isle of Dogs: Runt or Pedigree?
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Review
Annihilation: writer and director Alex Garland’s latest visually stunning sci-fi adventure film
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Review
The Shape of Water: Guillermo del Toro’s haunting, romantic & genre-defying imaginative fiction
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Comment
What will win at the Oscars 2018? Here’s TSOTA’s predictions
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Review
Darkest Hour may be premium Oscar bait, but don’t hold that against it
