-
Review
‘Beautiful Boy’: Timothée Chalamet is heartbreaking as drug dependent son
-
Review
Tarantino’s The Hateful Eight
-
Film review: Lenny Abrahamson’s Room
-
A delayed reaction to The Force Awakens. With some (mild) spoilers.
-
Preview: Ha-Ha-Halifax To Hold Its First Comedy Festival!
- The State of the Arts is non-profit media company covering culture in Leeds, Bradford and beyond. More about us >>
-
Review: Jeremy Gardner’s ‘The Battery’
-
Review: Alex Garland’s Directorial Debut ‘Ex Machina’
-
LIFF28: Yorkshire Short Film Competition
-
LIFF28: Abderrahmane Sissako’s ‘Timbuktu’
-
LIFF28: Shion Sono’s ‘Tokyo Tribe’
-
REVIEW: The Hunger Games – Mockingjay Part 1
-
LIFF28: Samuel Kishi’s ‘We Are Mari Pepa’ at LIFF28
-
LIFF28: Jonas Alexander Arnby’s ‘When Animals Dream’
-
LIFF28: Michel Gondry’s ‘Is the Man who is Tall Happy?’
-
‘Maps to the Stars’ and its relationship with cinema
-
Review: Simeon Halligan’s ‘White Settlers’
-
In Order of Disappearance [Hans Petter Moland] review
